This composition is inspired by the painting "The garden of earthly delights" in Hieronymus Bosh, exhibited at the El Prado Museum of Madrid. This triptych is considered a masterpiece for its complex and surreal symbolism: humanity is represented, according to the Christian doctrine of the Middle Ages, with all its vices and perversions, in a satirical representation of men's sins.
On the external panels, visible when the triptych is closed, in the upper part God appears in the act of creation: the world is represented as a transfa-root sphere. At the beginning, the triptych proves to be in its grandiose beauty.
The table to which the second fragrance of lost paradise is inspired is the central one, where pleasures and love are represented: exotic animals to represent lust, a multitude of naked figures, some in erotic abandonment, others in for-but of Chrysalis are nourished by birds that carry cherries and strawberries in the beak, fruits with aphrodisiac properties.
In the third panel the scene turns into a demonic concert: musical instruments become means to inflict suffering and pain. The nose, Christian Provenzano, of this fragrance said: “I imagined a bizarre perfume that made it dream, that he transmitted eccentric-mind, lust and freedom, enhancing the fruity notes as a symbol of exoticism and aphrodisiac temptation. I wanted to capture the symbolism of this work of art. An olfactory and surreal illusion. "
