Behind a fruity veil of pear, spicy with a pinch of red berries, a tuberous proves slowly, with a surprising lack of fiction. By becoming more creamy with the passing of the hours, it fills a welcoming bouquet of cedar, amber and a pinch of moss.
In 1937, Paul Vacher signed a floral trilogy, in which Tubéreuse found his place between the very chic Iris and the terribly sweet jasmine. Tubéreuse, precursor of many fragrances on the same theme, was dyed with a hyper-feminine touch, which perfectly adapted to the signing of Le Galion; keeping their standard even in a troubled decade.
